Now I’m a veteran of two Flickr meetups, both hugely enjoyable and both very inspirational in getting me out with the prime directive of improving my photography, what’s not to like.
In a post-shoot discussion over lunch in the Kitchen Bar I mentioned that I thought Flickr is the contemporary evolution of the ‘Camera Club’, Phil thought that made sense too and Photography definitely is booming on the web, as opposed to being notable by it’s absence in the real world. I’m sure there are still active clubs, I just found it difficult to locate them.
Just like Twitter, Flickr is now becoming mildly addictive, an easy achievement to someone already addicted for many years to creating images. Yep, Photography is my drug of choice and Flickr is my dealer.

The second meet-up was in Dublin, fantastic day out, thanks to our fearless leader for the day Shauneen and the rest of the photographers who turned up; Caitriona, John, Darren, 73 Man, Phil, Nathalie, Alexia, Debs, Will, Bob, and Claire. A separate post is required for that one I think.

Having thought some more on the whole phenomenon I think we should now be officially recognised as Phoblographers.

I’m a huge fan of Basecamp from 37Signals, so I’m pleased to see they chose to publish the ‘welcome message’ that I enter as the first post on all my Basecamp projects.
I remember writing this and, not having too much time, just blazing through it in an effort to succinctly get across the important ‘ground rules’ for new users unfamiliar (and possibly hostile to) using Basecamp.
Thinking back on it now I was really focussed on a ‘Just the facts ma’am’ missive, even though there’s quite a bit of text to the finished piece. Thankfully most of my clients ‘get it’ fairly quickly with Basecamp, but I like to think that putting out the ‘Welcome mat’ helps.

Good fun and, as always with those who are fired with enthusiasm for their work, some exciting projects under discussion. One such project is The Big Word Project

I chatted briefly to Lee from the project last night and so I thought I would throw my tuppence-worth in ($4 actually, luckily I have a short nickname) and buy my name:

This is a very interesting, and popular, project - already getting picked up on the web by many highly-regarded sites (such as one of my favourites: daringfireball ).

I wish them all the best with this and maybe you’d like to pay them a visit (and some dollars) and buy your own word.

I’ve long ago given up on making ‘New Year Resolutions’ but I share the optimism of Shane MacGowan’s lyrics at the start of each new year, it always feels like a special time, it always feels like a new start, full of potential. Of course when you can get into the mindset that it is possible to do better and generally improve your lot then you’re already off to a great start.

So a very happy New Year to all my blog readers, I hope you have a great 2008.

Built by Kolbrener, a branding company

…Well I definitely wasn’t.

Working as a freelance creative is a demanding job, I spend a lot of time generating concepts and in the subsequent production work - in addition to the necessary admin in running the business itself. This means an unhealthy amount of time sitting in my work chair, so I thought I should do something about that nagging thought I’ve been having that my old office chair was less than ideal (it was!) and about that even more nagging back pain that had been on the increase lately.

Being in the design industry myself I’d already heard of Herman Miller, but I never got to actually sit in one of their chairs until a while ago while doing some freelance work in another design office, where they had installed the famous Aeron chairs from Herman Miller. You only need to sit in one of these chairs for a short while to understand why they are so popular, despite the high price-tag, it really is that noticeable, the chair even feels better as you get more used to it. I was convinced.

These chairs are truly excellent products and, of course, they come at a premium price, but I think they offer good value for money as they really do live up to the comfort promise and are built to last. Herman Millar chairs come with a twelve-year warranty, yes, you read that right, twelve years.

I didn’t spring for the Aeron model, I went for the Mirra instead, since almost all the chairs in their range have the same huge number of adjustment options for a really personalised fit anyway - and I like the lighter look of the Mirra.

On many a long working session I have wondered what it would cost for a really good chair, now I know… the Mirra costs around £500 here in the UK, depending where you buy it from. I bought mine here. Worth the money I say, not only do I feel comfortable and less stressed when working but the backache is noticeably reduced now and I know it’s this chair that has made the difference.

But hey, don’t just take my word for it, here’s a great review of the Mirra chair from another designer.

I really wish I’d bought this chair a long time ago, but I’m glad to have it now. If you spend a lot of time at your desk owe it to your good health to check out the chairs from Herman Miller.

Technorati Tags: equipment

I got to see Gary Hustwit’s ‘Helvetica’ movie a few weeks back at my old Art College in Belfast. I really enjoyed the movie, it was done with abundant wit and charm, but most of all I was carried along by the enthusiasm of it’s director. Gary really achieved a lot in delivering such an engaging story of what sounds like such awful dull subject matter, I don’t know what the actual running time was but the movie was well paced and the time seemed to fly in.

Gary did a little Q&A session after the movie too and I was surprised to hear that it was almost entirely self-funded - resulting in some ‘interesting’ credit card bills, as he put it. He says he’s having a ball traveling around the world promoting the movie, I don’t doubt it and it is well deserved after the two-year development of the project. Worth keeping an eye out for further work form Gary I would think.

Official site for the movie is: http://www.helveticafilm.com/

Co-incidentally I was watching the movie right at the time Apple were launching the iPhone in the States - and guess what typeface is used on the iPhone interface?

It’s one of those typefaces that ignites love and hate in equal measures amongst designers, celebrated for it’s ‘clean geometry’ on the one hand and vilified on the other as a safe, boring, corporate ‘cop-out’

For me it’s neither, it’s Helvetica and it just is. I like to think I employ it on merit, if the project requires that sort of look, although I sometimes find myself reverting back to it after experimenting with some of its trendier relatives.

I expect the undimmed popularity of Helvetica for 50 years now is testimony enough to the skills of Max Miedinger, designer of the typeface.

But wait… there’s more - ‘Helvetica’, the movie is coming to a screen near you soon, courtesy of film Director Gary Hustwit…

“Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives.”

You can check out more about the film here, actually looks pretty good too.

So, Helvetica the movie star, who knew!

The answer from most of the Mac creative websites is a resounding yes (it was worth it). Like many creatives there was no compelling reason for me to upgrade my hardware to the new Intel Macs when CS2 did not run natively on that platform, but now that CS3 is fully Intel it’s time to make the jump. My copy of CS3 just arrived a few days ago and although I haven’t had the opportunity to really kick the tyres on it, from what I’ve seen it does indeed feel like a significant upgrade. I’m running CS3 on a Macbook Pro and it is noticeably faster and snappier than my G4 dual Ghz PPC main workstation running CS2. Speed aside the whole interface has been redesigned on all the applications, they now have an even more consistent look and feel across the suite.

Additionally the Bridge application now sports an interface very similar to Adobe Lightroom (the pro photography application). This is a good move as Lightroom has been in beta for a year before final release and has been the subject of a huge feedback loop from pro photographers for all that time. Asset management for pro photography has a lot in common with pro graphics designers.

I’m a recent Lightroom convert too, it has improved my digital photo workflow immensely, even in the short time I have been using it.

As you can tell I am an unashamed Adobe fanboy, I live in CS every day and it has served me well. In fact it is unusual for me to have to stray outside of CS when creating any core graphics work, a testimony to how well integrated the overall suite is and to the ‘real world’ value of the purchase price. So making the Intel/CS3 jump was inevitable for me, as it is likely to be for many other designers who know the value of keeping their work environment current.

I’m excited about getting my teeth into CS3, so far, so stunning.

Definitely more posts to follow on this one.